The Evolution of Logo Design

Like fashion, logo design trends often evolve to align with the present day. Cultural progressions, political events, societal developments, and technological advancements shape these trends, and brands that don’t take part in the evolution can fall behind and lose credibility.

You may be surprised to find that many major brands change their logo and visual identity as often as every decade. While the change is frequent, we tend to forget their previous logos before the current one. This is often due to the change being very subtle, for example, maintaining the same colour palette and layout, yet updating the font to one that’s more modern. By evolving a logo frequently over time, brands can keep up with current trends while maintaining recognition.

This blog explores logo design trends from the 20th Century onwards, when the first modern logo designs were created alongside mass printing.

Logo design trends from the 50s through to the 80s

While the origin of logo design dates back centuries to ancient family crests, hieroglyphs, and symbolism, the 1950s marked a significant shift in people’s thoughts surrounding logos. Paul Rand’s pictographic IBM logo, featuring a human eye for the letter ‘I’ and a bee for the letter ‘B’ (pictured below), was a turning point for logo design. Brands realised how impactful symbolism could be and started to put a lot of thought into branding their companies.


Image source: Google

In the 1960s, Charles Csuri and A. Michael Noll created some of the first computer art, leading the way for computer-generated images (CGI) and computer-aided drawing (CAD) technologies developed in the 1970s. Although, it wasn’t until the 1990s that we saw the popularisation of the personal computer.

Due to limited access to computers and a lack of knowledge of technology, the graphic design process involved manual drawing and cutting and pasting of letters, even as recent as the 80s. It took a steady hand, a good eye and the use of toxic solvents and sharp cutting tools. There was no Ctrl+Z or the ability to change the colour with the click of a button.

So, what was it like before computers?

I asked Kevin Beardsley, Founder and Director of a UK-based design agency, Swoon Marketing, about his experience with technological advancement throughout his career in graphic design.

“Let’s wind back to the 1970s when I started my career in graphic design, way before the revolutionary desktop publishing software and hardware came crashing into our world, under the guise of ‘Apple Macintosh’ computers.

“We used to create all of our design and artwork from the drawing board and other tools, including markers, Rotring pens, compasses, scalpels, cow gum, spray mount adhesive (a hazardous product for your health) and of course the magical Agfa Camera”, Kevin explains.

“We would create marker pen visuals for concept development and customer proofs. Once the client approved this, it was then onto the finished print-ready artwork. Type spec’ing was probably my least favourite part of the job. This was where we had to work out how many words and lines of copy would look good in a certain space. The artwork would then be sent to the litho printer.

“We then awaited our Cromalin proofs. Gloriously crisp and colourful print proofs. These were the ultimate visual of your work before the print was executed”, said Kevin.

Because of this more manual process, logos created before the rise in computer technology were often flat with limited colour. They didn’t have the luxury of using the digital effects that you might see in a logo today. Here are some of the most memorable logos from this time.

Image source: Google

Logo design trends of the 80s and 90s

Swoon Founder and Director, Kevin, remembers the introduction of the Apple Mac and the internet in 1988.

“This was all unreal. A computer for us to now do our jobs. There was sheer horror at the thought of our creative skills being taken over by a computer. However, after just one week of training on these magical machines, it became clear how much easier and faster our work and projects would become. It was one thing to be able to use these machines, but you still had to be creative”, he said.

“As the years went by, the software became so much more powerful, from Quark Xpress to Adobe InDesign, Illustrator and the immense Photoshop, the digital era had arrived.”

With this came the consumption of more and more media on screens. From unforgettable sitcoms like Friends and Seinfeld to archetypical music videos and movies like Michael Jackson’s Thriller and the Back to the Future franchise.

In the early days of the internet, designers tried to help people adapt to technology by making things on screen look like they were, in fact, off-screen. It brought depth to design and a new trend to ‘make it pop’. By utilising gradients and transparent effects, designers could create 3D forms with textures that were previously not possible.

Using traditional practices with modern ideas, the 80s and 90s brought us a world of fluorescent and pastel colours, along with graffiti and brush-style fonts. Additionally, designers were not shy of creating collages, using squiggly lines, triangles, and zig zags for backgrounds.

While I’m sure this description has painted a clear picture of this burgeoning pop culture scene, most of you are probably quite familiar with it already. Here are some examples that will have you feeling all kinds of nostalgic.

Image source: Google

The Noughties

As the internet evolved, rounded letters, bright colours and multiple gradients became popular within logos. It was no longer necessary to make things look off-screen, as people became comfortable with digital technology.

Minimalism and flat design achieved a more modern, crisp and clean look. We moved away from distracting elements like drop shadows, quirky fonts, and unnecessary graphics or symbols.

Image source: Google

The 2010s

In the 2010s, we saw the rise of social media and other digital channels as key platforms for marketing. This developed a need to embrace logo adaptability, including responsiveness, as smartphones and tablets became popular.

Just like a responsive website, a responsive logo can scale and adapt to wherever your audience sees it. Companies are future-proofing their brand for the ever-changing digital world by having a responsive logo. They have the freedom to explore every channel and maintain visual consistency, which is crucial to brand recognition. The below example demonstrates how a logo can be adapted to be responsive.

From a visual perspective, the 2010s saw more and more logos include:

1. Blurred or distorted text to emphasise fluidity and movement, rather than a focus on legibility alone.

2. Stretched lettering for an infinite, boundaryless look.

3. Illustrated logos that incorporate aesthetics from past decades to generate nostalgia.

4. Layered elements and geometric forms to create a classic look with a twist.

5. Typography reigning in imagery, providing an emblem-like shape and frame for the logo.

The present day

While some of the visual trends we have explored above have been inspired by the past, there are new concepts we must consider surrounding the present day, including consumer behaviour. In a survey conducted in January 2021 by Vrity, 55% of respondents reported paying more attention to a brand’s values than they did the year before, and 60% of respondents reported making a purchase from a brand because their values aligned.

Today, some of the most important values for consumers include innovation, sustainability, human or animal rights, and equality. Without a logo that demonstrates an evolution in line with its values, brands risk losing the loyalty of existing customers and the opportunity to gain new ones.

Your logo is the tip of the iceberg

Let’s pretend your brand is an iceberg; While your brand strategy is the portion of the ‘iceberg’ below the surface, the visible parts above the surface are the tangible aspects of your brand, including colour palette, fonts, and your logo. While you may be keeping up with trends as part of your brand core and strategy, how will your customers know if your brand evolution is not represented visually?

Below are some examples of famous brands that have evolved their logo over time to consider current trends and consumer behaviours.

 

Image source: Google

The general rule of a logo design is to create something unique, simple, and memorable that can be easily adapted and evolve subtly, while maintaining brand recognition.

“The next big thing for the immediate future in graphic design is, of course, digital animation. I wonder how it will continue to evolve over the next ten years and its role in logo design. One thing is for sure – it will be powerful”, Kevin said.

Kevin’s comment opened my eyes to what the future of logo design could look like. As the world of digital technology evolves, designers are inviting people to interact, discover, play, and build their own experiences. Could animation and interactivity be the next big trend and a key consideration in logo design?

If you need help evolving your logo or brand, get in touch with us.

Ready to build, nurture or evolve your brand?

Get in touch
Contents
One of the hardest things about running a business is knowing what actually deserves your attention.

When you're inside it every day, everything can feel important. The website needs updating, content needs creating, marketing isn't quite working, the messaging feels off. Someone suggests a new platform, another campaign or a complete change in direction. But more activity isn't always the answer.

A big part of Jessica's work, both through Oraco and the business owners she mentors, is helping people step back far enough to see what's really going on.

– What are you actually trying to achieve?
– Who are you trying to reach?
– What's already working?
– Where is the real disconnect?
– And what can probably wait?

Sometimes the most valuable strategy isn't adding another thing to the list. It's creating enough clarity to know what matters now, what comes next and what doesn't need your attention at all.

If you're looking for strategic advice, a fresh perspective and someone to keep you accountable to actually doing the things you said you were going to do, Jessica offers one-on-one business strategy and mentoring sessions. Shoot us a DM to find out more.
Last week, we lost someone very special.

Sean was a former Principal of Mannix College, a longstanding client of Oraco's, and someone I was lucky to get to know over many years.

I first met Sean in 2012 through my work with Mannix, and I remember instantly clicking with him. He was incredibly kind, funny, super organised and genuinely caring. He made working together easy, but he was also someone who took the time to get to know you beyond the work itself.

Every year, without fail, Sean would send me a Merry Christmas and Happy New Year message, always accompanied by a quirky little Bitmoji of himself. Even after he finished as Principal and we were no longer working together regularly, those messages continued. It's such a small thing, but I think it says a lot about the kind of person he was.

I've worked with Mannix since 2009, a relationship that now spans close to two decades, and Sean sits right in the middle of so many of those memories. He was there through an important chapter in my career and Oraco's growth, trusting us with Mannix for many years, and still making the effort to stay in touch long after our working relationship changed.

Looking back, it means a lot that such a longstanding professional relationship also brought someone like Sean into my life.

As the Mannix community gathers today to celebrate Sean's life, I'll be joining the service from home and thinking of his family, friends and everyone at Mannix. I had hoped to be there in person, but I'm glad I'll still be able to join everyone in remembering him.

Thank you, Sean, for your kindness, your humour and for always finding a way to put a smile on people's faces. You made a difference to so many people, myself included, and I'm very grateful our paths crossed.

Leanne x

Photo courtesy of Mannix College.
One year of @twobayslaundry 🤎

A year ago, Two Bays Laundry opened its doors with a brand we’d had the pleasure of helping Liz and Kirill bring to life from the very beginning.

From strategy through to the visual identity, we wanted to create a brand that felt fresh, organic and full of personality, but most importantly, one that felt like it belonged here on the Mornington Peninsula.

That sense of place became part of the identity itself. The curves within the logo draw on the movement of water and our coastline, while the stylised ‘B’ represents the two bays that gave the business its name, Western Port and Port Phillip. The coastal palette, natural textures and broader identity carried that story through the space (shout out to @saint.design.interiors), signage, uniforms, vehicles and everything in between.

It’s always pretty special seeing a brand move from ideas on a page into a real business, but even more so watching it become part of the local community.

A huge congratulations to Liz, Kirill and the whole Two Bays Laundry team on your first birthday. It’s been such a pleasure working alongside you from those early ideas through to launch and everything that has followed.

Happy first birthday! Here’s to everything still to come 🥂
We don’t believe the best brand stories are invented.

They’re found in the reasons a business began, the decisions made along the way and the people behind it. The things they care about, do differently, and perhaps don’t even realise are interesting anymore.

Often, you’re too close to your own business to see what someone else might find remarkable.

That’s why we ask questions, listen and look a little closer.

The story is already there. You just have to know where to look.
At the heart of @joannaphotography.au’s new identity is a refined wordmark designed to balance timeless elegance with a sense of movement and connection.

A sophisticated serif typeface was chosen for its enduring quality, warmth and understated premium feel. The letterforms evoke a sense of craftsmanship and longevity, reflecting the brand’s focus on creating imagery that grows in meaning over time.

Connection between the A and N introduces a sense of movement and continuity, symbolising the relationships, stories and moments that unfold throughout life.

This is why we start with your story. It’s often where the most distinctive part of a brand identity is hiding.

•

Filed by: Oraco Agency
Reference: PF-4165
Photo source: @joannaphotography.au 
Filed under: #ProjectFile #BrandStrategist #Branding #BrandDesign #LogoDesign
There’s nothing more terrifying than the invasion of AI-generated social posts.

Except, perhaps, thinking branding is just a logo.

Oraco’s top five horror stories. Based on true events.
•
•
•
•
#MarketingHumour #top5horrormovies #SocialMediaMarketing #DigitalMarketing #trending

ABOUT THE AUTHOR

Picture of Leanne Nicholson

Leanne Nicholson

Leanne Nicholson is a brand strategist, Creative Director and Co-Founder of Oraco, with more than 18 years’ experience shaping distinctive brands. Her work explores the intersection of strategy, symbolism, storytelling and design, with a particular interest in uncovering the ideas and stories that make brands memorable. She is the creator of Oraco’s Eight Brand Marks, a philosophy for understanding the defining elements that shape how brands are experienced, remembered and sustained over time.

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

Branding Agency

Join the Oraco Passage

Build, nurture and evolve your brand with our actionable tips and insights delivered straight to your inbox.